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2012年2月于美国亚利桑那州立大学AUS’S STEP画廊和芝加哥BRAUER美术馆展出

2012New Exhibition  at ASU'S STEP GALLERY，PHOENIX and BRAUER MUSEUM，CHICAGO

PO Box 871505, Tempe, AZ 85287-1505
Claudia Brown
Phone (602) 405-2529
Fax (480) 807-1688

＊我的作品

挖掘造型语言本身的魅力,寻求这种语言与表达内在思想的汇合点。

取静求动,情绪交予创造。 杂乱无章需要杂乱无章。 黑白仍是虚幻总源。

自然界中各自都遵循着和谐规律。

人.舞---表达人与人，人与自然的和谐。人类从开始便是一个孤独，挣扎，探索，喜悦，狂舞再重复的过程。无论是孤独, 挣扎，探索，喜悦，狂舞都是心境! 在这个世界中,人是全部内容。

荷也是，山水也是，风景如画，画源心境。

展期：2011年1月7日---4月30日

酒会 : 2011年1月7日下午五时

地点: 香港铜锣湾波斯富街54号1楼

Artishop Gallery

1/F,54 Pereival Street,Causeway Bay,Hong Kong

852-2110-9170

序言

艺术家需要一种必不可少的天赋，便是天大的苦功天大的耐性也补偿不了的一种天赋……  

                                                                                                                                   法—丹纳 

关于风景如画；艺术品所描绘的事物，比事物本身更完备；比如一幅肖像画可以看到的不只是哪个局部，而是从某一点出发的全部，包括内在的性情，心灵和瞬间捕捉的思绪等；一幅风景，可能从某一状态或一种色彩关系出发而呈现的却是无尽的时间或空间感，具体地讲“一片红叙述的是整个秋天，一个角度几片叶子描写的是整个荷塘。 

  

关于反传统；反传统一定是传统的延续，我们认为的反传统在以后便是传统；一棵粗壮的大树能证明它的根基粗壮，这棵大树死了，根基还活着，并成长起另一些大树；可谓看起来传统的魅力已枯竭，事实传统便是根基，传统越博大，反传统就越猛劲，另一些大树成长得也越壮大；只需要关注它，不要遗弃它，丰富的内涵就会显示其本质。 

  

关于当代性；生长在当代，说话与行事，思考与创作都具有当代性，故不用特别强调“我在哪”这种现实主义理想，欲高古或未来事实都很难,就像让我们理解：高几十米的石像面部如何对称和强求古人分析数字时代的产物！不过无论哪个时期的当代性都具有片面性和常规性一致的特征。 

  

关于抽象；画面一旦形成就是实实在在的存在，抽象也不是指题材上画一幅看不懂或只是形象怪异与不确定、或罕见之物，这些都不是抽象；而确切的是“谁在抽象思维”；表现于画面乃是诗意的，给予足够想象空间的，能以无语触动心灵的；因此在我的定义里符号和抽象有很大的差别，即抽象触动的是心灵而符号触动的是视觉。

                                                                                                              写于上海 叶澜 2006

Forewords

The artist needs an essential talent, which cannot be replaced by the painstaking effort OR patience.  

                                                                                                                Paris—H.A.TAINE

In terms of beautiful landscape like a painting, what art describes is more complete than that itself. For instance what you can see from a portrait is not only what has been presented on painting, but also a whole picture which includes people’s inner personality, SOUL and instantaneous capture train of thoughts… A scene in A paints may embarks from either a o condition or one kind of color but it shows the sense of inexhaustible time or spaciousness space. Concretely, “a piece of red narration is specifically the entire autumn, several leaf description is the entire lotus pond.”

 

In terms of counter-tradition, the counter-tradition is certainly the extension of traditional, I think the counter-tradition will be eventually become tradition finally. A sturdy tree can prove its root is sturdy, even it was died, the root is still alive, then it will grow up to be another some big tree. It looks like the traditional charm has been dried up, but since the tradition is a foundation, if the foundation is great, the extension surely will be greater with a burst of energy, there fore another some big trees also will be more expansive. Do not abandon it only needs to pay attention to it, the rich connotation can demonstrate its essence.

 

In terms of contemporary feeling, as growth in present age, the speech, the conduct, the advisement and the invention all has the contemporary feeling. Therefore does not need to emphasize specially the realism: “which I am at”, we are unable to understand how symmetrical the several-dozens-meter-high statue’s faces or ask the ancient human to analyzes the works of our Digital Age. Regardless what time, that temporality all does have one-sidedness and the conventional characteristic.

 

In terms of abstract, Once the picture is formed, it is the real existence, abstract is not a picture with strange, uncertain, rare image or something that people cannot understand , But accurate definition is “who is with the abstract thinking”! The picture presents a poetic feeling, which leaves people with a lot imagination space, and be touched without the language. Therefore the mark and abstract has the very big difference in mine definition. The mark touches move is a vision, the abstract touches move is a mind.

                                                                                                     Shanghai—YELAN 2006